Reviews of every episode and every season!
[Writer: Lawrence O’Donnell, Jr. | Director: Christopher Misiano | Aired: 3/23/2005]
<blockquote. “Counting weddings and funerals?” – Vinick
Across the course of The West Wing‘s sixth season, we’ve borne witness to transition. A series that once centered on those who work in the White House has shifted focus to those who covet it. Bartlet, CJ, Leo, and Toby have become supporting characters in the series they established. New faces, locales, and storylines have taken hold.
[Writer: John Sacret Young | Director: Rod Holcomb | Aired: 3/16/2005]
“I’m gonna remember this…” – Leo
The rules of fictional writing (be it in television, film, or literature) dictate that there are two types of bad stories – those that fail in concept, and those which fail in execution. The West Wing, despite its many triumphs, has produced multiple episodes in both categories. The “fail in concept” basket includes “Slow News Day,” which is ineptly plotted but at least features some glimmers of character competence, while the latter category slots in “Constituency of One,” which starts with a promising series of storylines and then bungles every last one of them.
And then once in a while, we get an episode that fails in both concept and execution. An episode like “Ninety Miles Away.”
[Writer: Eli Attie | Director: Jason Ensler | Aired: 3/9/2005]
“Eleven and thirteen.” – Santos
Matthew Santos is charming, handsome, and charismatic. He jokes effortlessly with reporters and maintains friendly rapports with the folks on his campaign staff. He has a lovely wife and two cute-as-a-button kids, and they make the most beautiful gosh-darn family you’ve ever seen.
[Writer: Debora Cahn | Director: Alex Graves | Aired: 2/23/2005]
“You got a chance to shape the debate, strengthen the party, and you blew it!” – Toby
Among the many failings of Season Five, one of the most egregious was the way it turned TV’s greatest political series into a primetime soap opera. Illicit romances, interpersonal vendettas, and betrayals/backstabbings were brought to the forefront, often seemingly out of nowhere, and the show’s once-cutting political vernacular fell to the wayside.
[Writer: Eli Attie | Director: Christopher Misiano | Aired: 2/16/2005]
“Let’s get back to Politics 101. The object is to beat the other guys.” – Josh
Which came first? The egg.
[Writer: Josh Singer | Director: Laura Innes | Aired: 2/9/2005]
“The document is just the beginning.” – Lessig
I’m a sucker for titles with double-meanings, and “The Wake-Up Call” has a doozy. The name refers here to the late-night/early-morning call that the President receives during a national emergency. But it also refers to the recent metaphorical wake-up call – mapped out in the purposeful “365 Days” – to the Bartlet administration at large, which is now in its final year and must determine how to end on a high note.
[Writer: John Wells | Director: Alex Graves | Aired: 1/26/2005]
“I lived the opposing arguments.” – Santos
It’s impossible to envy the position John Wells was put in during the summer of 2003. Not only had he been left to take charge of one of the most lauded and award-winning dramas of the era, but he’d had no direct involvement with the series beforehand. That the series didn’t immediately collapse into a pile of ash and broken dreams with the Season Five premiere was something of a miracle.
[Writer: Mark Goffman | Director: Andrew Bernstein | Aired: 1/19/2005]
“Everyone’s walking around here like we’re finished.” – Leo
There are certain oddities and inconsistencies of The West Wing which must be accepted in order for us to appreciate the show’s finer aspects. The unexplained disappearance of many side characters (did Mandy just get lost on her way to the Sit Room?). The occasional character inconsistencies and continuity errors (pretty much everything involving Zoey Bartlet). The fact that election years are staggered two years against real-life elections (although if they occurred during leap years, as happens in reality, I suppose this episode would have been distractingly titled “366 Days”).
[Writer: Eli Attie | Director: Chris Misiano | Aired: 1/12/2005 ]
“How do you wanna go broke? As the brown candidate, or as the American candidate?” – Josh
Politicians, despite what cable news may tell us, are not props. They are as human as you or I. They have hang-ups and flaws and quirks and foibles. They have favorite foods and favorite films and families they occasionally get to see.
[Writer: Bradley Whitford | Director: Chris Misiano | Aired: 1/5/2005 ]
“Am I wrong to want to set the record straight? No pun intended?” – CJ
If you’ve been following these reviews for a while, you’ve probably noted that I don’t like The West Wing placing its politics front and center. The show is at its strongest when it points the magnifying glass at its characters, with policies and procedures functioning mainly as story fuel.
[Writer: Debora Cahn | Director: Leslie Linka Glatter | Aired: 12/8/2004 ]
“This is the back room.” – Leo
During the teaser sequence of “Impact Winter,” Annabeth and Josh discuss the upcoming press briefing, which will occur during “Take Out the Trash Week.” Annabeth asks Josh if he’s interested in doing the press briefing in Toby’s absence, but Josh swiftly declines, noting what a powder keg the press room can be.
For ease of access, here are links to all my episode and season reviews of The West Wing. This page will be continually updated.
[Writers: Lawrence O’Donnell, Jr. | Director: Alex Graves | Aired: 12/8/2004]
“You have a year to talk me out of voting for him.” – Donna
Among the numerous changes made during the Sorkin-to-Wells transition, few are as jarring as The West Wing’s newfound penchant for “modern” cultural references. Sorkin cut off the show’s real-world history around the Nixon era, and the culture discussed in the White House rarely ticked past 1975. But a new production team brings a new flavor to the series, and so it is that references inch slightly closer to the 21st century. “In the Room,” for example, has a throwaway line where Bartlet references the political TV series Crossfire. It’s only a brief mention, but it sticks out jarringly against the show’s retrograde framework.
[Writers: John Sacret Young & Josh Singer | Director: Vincent Misiano | Aired: 12/1/2004]
“Piece of cloth. Cheesy piece of fabric.” – Josh
As I’m writing this review, my West Wing DVDs – the Complete Series collection – sits idly on a nearby shelf. It’s a magnificent DVD set, packed with great special features and a glossy series guide. But a thin layer of dust covers the set box – in truth, I’ve not consulted the DVD set in a while. Whenever I need to rewatch an episode for review, I simply pull it up and stream it on Netflix.
[Writer: Carol Flint | Director: Laura Innes | Aired: 11/24/2004 ]
“You don’t work here anymore.” – Debbie
It’s unfortunately telling that the two most interesting characters in “The Dover Test” do not have any direct affiliation with the Bartlet White House. In fact, it’s unfortunate, period – most of the main characters spend this episode looking out of their element, wandering from one hallowed room to another in search of a direction.
[Writer: Peter Noah | Director: Julie Hébert | Aired: 11/17/2004 ]
“We didn’t have the votes.” – Josh
The Toyota Prius is one of the most fuel-efficient and environmentally-friendly cars ever made. Not only will it get you where you need to go, but it’ll do so without polluting the air with unwanted carbon emissions. You can look good while driving, and you’ll save a dozen friendly seagulls with each trip. Go green – go Prius!
[Writer: Debora Cahn | Director: Alex Graves | Aired: 11/10/2004 ]
“I don’t think this is gonna work out.” – CJ
Network television is built on status quo – individual episodes may play around with character dynamics, but in the long run, nothing can change. Yet the longer a show stays on the air, the more difficult status quo is to maintain. Even the most reliable formula will eventually grow stale, at which point fans will begin hungering for change.
[Writer: Eli Attie | Director: Christopher Misiano | Aired: 11/3/2004 ]
“It’s that little burst of warmth before you freeze to death.” – CJ
“Third-Day Story” is a step up from the first two episodes of The West Wing’s sixth season. That’s not saying a great deal, but it’s worth acknowledging. As the show shucks off the effects of the wrong-headed Israel/Palestine arc, it tries to return to its baseline status quo – but the results, especially in the early going, are mixed.
[Writer: John Wells | Director: Alex Graves | Aired: 10/27/2004 ]
“Sir, should we be here?” – Josh
About the best thing that can be said about “The Birnam Wood” is that it’s not nearly as self-aggrandizing as it could have been. The episode could have been an exercise in pompous polemic, the sort of all-too-important speechifying that doomed the worst of the Sorkin episodes. But John Wells (who wrote this episode, in addition to the preceding “Memorial Day” and “NSF Thurmont”) keeps the drama toned-down and evenly moderated. Attempts at political grandstanding are few and far between.
[Writer: John Wells | Director: Alex Graves | Aired: 10/20/2004 ]
“Everyone disagrees with your assessment.” – Leo
When trying to persuade someone to watch the post-Sorkin seasons of The West Wing, I typically offer some standby words of encouragement: “Season Five is pretty rough. But stick with it. The show gets back on its feet in Season Six.”
And it does! The sixth season of The West Wing returns the show to its revered status as one of television’s most complex and riveting dramas. Except… it doesn’t do it right away.
[Writer: John Sacret Young & Josh Singer | Director: Christopher Misiano | Aired: 5/19/2004 ]
“Today’s priority is not world peace.” – Leo
Since John Wells took the reins from Aaron Sorkin at the start of this season, we’ve watched him tug them this way and that. At various points in Season Five, The West Wing has been a bipartisan political drama, a romantic soap opera, an examination of Bush-era policies, a pulp novel, and even (shudder) a documentary. There hasn’t been a consistent tone, or even a consistent arc for the show to use as a guidepost. The season wanted to be too many things, and ultimately, it didn’t succeed at very many of them.
[Writer: Peter Noah | Director: Christopher Misiano | Aired: 5/12/2004 ]
“The only dishonor might be not to try.” – Kate
Most folks don’t watch The West Wing for half-baked operatic romances. Most folks don’t watch it for thin, didactic exploration of Middle Eastern conflicts. And most folks certainly don’t watch it for confusing, poorly-told stories about half-baked operatic romances and thin, didactic exploration of Middle Eastern conflicts.
And yet… “Gaza.”
Continue reading “West Wing 5×21: Gaza”
[Writer: Carol Flint, Debora Cahn, Mark Goffman | Director: Julie Hébert | Aired: 4/28/2004 ]
“On a need-to-know basis, who needs to know this much.” – Bartlet
“No Exit” deserved better.
Coming near the end of The West Wing’s most troubled season, it is designed as an antidote to the year’s earlier missteps. It clearly wants to take the show in a fresh new direction. And it wants to tell a compelling story at the same time.
Continue reading “West Wing 5×20: No Exit”
[Writer: Eli Attie | Director: Richard Schiff | Aired: 4/21/2004 ]
“It’d be nice to roll back that tide, wouldn’t it?” – Bartlet
Writing in the Wall Street Journal in December 2013, Peggy Noonan referred to something she called “West Wing Disease.”
“Young staffers grew up watching that show,” she said, “and getting a very romantic and specific sense of how government works.” The show’s tight focus on the White House, she theorized, made it seem that the White House was the government, and disregarded the various complex and interconnecting agencies that surrounded it. Continue reading “West Wing 5×19: Talking Points”
[Writer: Lauren Schmidt | Director: Alex Graves | Aired: 3/31/2004 ]
“ZZZZZZZZZZZZ” – Me
You love CJ Cregg, right? I mean, of course you do. Everyone loves CJ Cregg. She’s wonderful. She may well be The West Wing’s most popular character, and is easily one of its most likable.
But this raises a question: Why are CJ-centric episodes so consistently bad?
Continue reading “West Wing 5×18: Access”
[Writer: Debora Cahn | Director: Jessica Yu | Aired: 3/24/2004 ]
“Oh, my God. You’re putting my mother’s cats on the Supreme Court.” – Donna
“The Supremes” is the standard by which every post-Sorkin episode is measured. It’s a Season Five episode that’s liked even by Season Five’s biggest detractors. In terms of fan favoritism, it’s among the most popular episodes in the entire series.
So, is it ironic that I find it a little overrated?
Continue reading “West Wing 5×17: The Supremes”
[Writer: Alexa Junge | Director: Llewellyn Wells | Aired: 3/3/2004 ]
“No, no, no. Not one of the daughters.” – Leo
Near the end of “Eppur Si Muove,” Debbie Fiderer is shown speaking to Ellie Bartlet.
[Writer: Lawrence O’Donnell, Jr. | Director: Lesli Linka Glatter | Aired: 2/25/2004 ]
“If I could take back one moment of my life…” – CJ
I don’t want to do this.
Seriously, I really don’t want to do this.
I mean, it’s not like I need to do this, right? There are 155 episodes of The West Wing. Skipping one won’t matter in the long run.
So, no review today. Come back next time.
[Writer: John Wells | Director: Alex Graves | Aired: 2/18/2004 ]
“I’ll take it from here.” – Leo
Leo McGarry is simultaneously The West Wing’s simplest and most complicated character. He seems easy to define – the well-meaning, wryly humorous conduit between the President and his staffers. But the actual Leo is more difficult to pin than that.
[Writer: Peter Noah | Director: Bill D’Elia | Aired: 2/11/2004 ]
“But his music just left the solar system.” – Josh
The whole concept of Season Five is entirely at odds with itself. Wells was tasked with honoring Sorkin’s vision, while also branding The West Wing in his own style. So much of the season’s messiness comes from the inability to reconcile these two goals – idealism clashes with pragmatism; politics clash with soap opera; and characters constantly clash with each other. Continue reading “West Wing 5×13: The Warfare of Genghis Khan”
